I woke up cold. Alone in the bed, blankets trailing off the frame and across the floor as if they had followed Cole out the door. I stretched my hand across his pillow and it was cool, meaning he had been up for a while.
I got up and found his discarded t-shirt on the floor and put it on. It's halfway down my legs. Good enough. I walked barefoot across the wooden floor and out into the hall, the muted rain-light shining in through the windows, filtered by the trees, now almost empty of their leaves again. The floor is cold. So cold.
I reach the sun room at the end and push the door open. Cole is there, in jeans and bare feet as well, shirtless. Holding his palette in his right hand, brush underneath, studying his canvas. His dark blue eyes rise up over the top of his canvas to greet me and he smiles.
Hello, sleepyhead. Come and see.
I come around and he leaned over and kisses my forehead, hard. I am thrown off balance and I rock back on one foot before regaining my momentum.
The picture is black. At first it seems to be a series of jagged vertical streaks. Abstract. I can't make heads or tails of it. I only feel what it wants me to feel. Despair. Fear. Rage. It isn't a nice picture. It is nothing like his nice pictures, whether they be paintings or photographs.
It's you.
Really?
He traces the line in the center and suddenly I can see my nose and my lips and the soft ridge of my brow and then oh, yes, there it is, that errant lock of hair that always flips out just beside my chin.
But it is so dark.
You don't like it.
No, I like it, it's just so...
Nevermind. I'll be finished up here in a minute. Why don't you go make some coffee?
***
It's hours later, evening now and I am sitting by the wood stove, drinking wine and listening to PJ's latest tale of snowmobiling through the outskirts of the city, complete with close calls of barbed-wire and dogs off-leash. PJ can wind quite a story and I wish I could believe half of it but I know he isn't that reckless. My friends aren't, usually. Adrenaline junkies sure, but not wishers of death or certain injury
Jacob comes in very late, having missed dinner for being stuck at the airport waiting for his bags.
Hey guys, Bridget.
Preacher. What the fuck. The pot roast was delicious. Thanks for your helping.
Don't listen to him, I saved you some. Welcome home. Come with me.
Cole watches me. His eyes are still smiling but they have turned now. Inquisitive. Baleful. I look at him and he does that beautiful move where he nods once and then tips his head to one side as if he is about to shake it, no, but then stops abruptly. I know that move so well. That move is watch yourself Bridget. Watch yourself carefully.
I ignore it like I always do. He no longer has anything. He just doesn't know it yet. My heart got on a ship and sailed far away into the open sea and he hasn't gone looking to see why it's so quiet yet. He has missed the boat. He missed the cues. He thinks he is so clever. My friends are not reckless but I am.
Once we reach the kitchen, Jacob steps to one side and I hurry to the stove, reaching in with the big mitts to collect the pan, covered with tinfoil. Everything was warming for him, just the way he likes it. I load his plate. Carrots. Potatoes. Roast beef. I ladle the broth on everything, almost gravy now anyway and then put his plate on the table. I add a smaller plate loaded with bread and butter and then I pour him a huge glass of milk and put the tea kettle on the stovetop for tea. I know it will take him around seven minutes to wolf this down and by then his tea will be perfect.
He sits down and smiles at me and then picks up his fork. There will be no talking until he is finished.
I sit down across from him and watch. Lochlan picks that moment to walk into the kitchen with his empty beer bottle. He puts it in the bin under the sink and opens the fridge, looking for another. I frown. I think he drinks too steadily. Too much. He wouldn't listen to me and so I say nothing. I don't bite the hand that feeds me.
Outwardly Cole rules this universe. He is dark and creative and a true leader. He doesn't hesitate. He doesn't question. He lives so purposefully it's sick. Driven by something even Jacob can't explain. It isn't faith, it's compulsion.
Inwardly, Lochlan still rules everything. We fly that paper airplane under the radar. So far so good. It is rare but there. Once a year, maybe less. Sometimes more. We wait until it builds and then history starts to get in the way of things like trips to the library and breathing and then we go back to the circus, just for the day and everything is okay and Lochlan has no idea what kind of monster he is up against because I don't talk about Cole.
I don't talk about Caleb either. I act cordial and familiar with Caleb because if I don't it will be worse and I am traded to him on a regular basis for bankroll and security and a different sort of preoccupation for glory, unspoken but permitted because this is how curses thrive. This is what gives evil an appetite. Because Caleb won't go away and Cole has something in him that he let out once and now he can't put it back in.
Jacob sees all of this. My eyes are a television and my soul never goes off the air at the end of the night, flickering into white noise, a steady hum and hiss on the screen. It's insatiable, broadcasting all of my secrets to him with the volume on low. I try to change the channel but the knob is stuck and broken off, glued back on and forever locked to this. I stand in front of the screen and he tilts his head around me and sees it all. The nightly news, the horror movie, the carnage filmed for our curiosities.
And Jacob has a hero complex.
My plan is to see that complex fulfilled. It will complete him and save me. Lochlan is indifferent, cold to me. He wants the part of me he always loved best but he can't deal with the insecurities and the fears and the out-loud stream of consciousness that scares grown men into total incapacitation. Caleb isn't going to save me, hell, the brothers have hung me out to dry. Once the refuge from Lochlan's avarice, just-rewards because I didn't know how else to stick it to him at the age of fourteen, they have become the regret of my young life.
Redemption is sitting across the table from me and I don't deserve it, but I'm going to go for it anyway.
Jacob pushes the plate away and takes the mug of tea that I have put on the table, perfectly steeped, a spoonful of fresh honey stirred in just to make it smooth without adding much sweet. He declines the pie but makes sure it might still be available tomorrow if he comes around.
He has watched enough television.
You done yet?
I need to check on the kids, I'll be back in a minute.
Bridget, the kids are fine. Cole is in the living room. They'll hear the kids if they need something.
Are you done yet?
I think Ben is coming home this week. Have you heard anything?
Princess. Are you done yet.
No. (It's a whisper. I'm not done. I am paralyzed because I don't actually have a steady job. I have no savings and I don't know anyone except for the boys in this flat city full of violence and dust and this endless snow-ice. Writing is a thankless low-paying piece of shit. Sure, the cheques are big. Every eighteen months. Not enough to live on and I know Jacob makes pennies. You can't feed children on pennies.)
He pushes back from the table and stands up. I rise too and we meet at one end. I smile because it's comical. I reach for the plate but he already has it and he rinses it in the sink and then puts it down and turns around.
When are you going to tell them the truth?
I shake my head. I have my own signals too, know. This is shutting down, goodnight, bye-bye.
We can protect you from him.
From THEM. My mind corrects him. My mouth says nothing. Never ever ever tell, Bridgie. Just never tell, okay? I will fix this for you, just give me time. I am listening. I listen well.
Jacob pushes past me. This is done. For tonight. He is helpless and frustrated. I have Cole and Cole is what I know and for those moments when he takes my picture and I see something beautiful framed at one of his shows and then I realize it is me, it's worth it because I don't understand how he gets these images of the girl who used to exist because she became whatever she is now. I don't understand how to unlock her from those frames under the glass where he holds her prisoner but I do know that was the girl I was supposed to be.
That's her. No question. I need to stay close to her in case there is a chance I can get her back.
We walk back into the living room and Jacob abruptly says goodbye, thanking Cole for the chance to get some supper but he's got a lot of laundry to start and he's exhausted so he's going to head up the street to his house. Jacob's house is on the other side of the next block up, a pretty little yellow house that he has owned for a year. A whole year of trying to convince me that the grass would be greener in his yard and a whole year of me pointing out that it would be suicide to try and leave Cole because standing behind Cole is someone I never ever want to be on the wrong side of.
Cole says anytime, and reminds Jacob that when he travels I am like a lost puppy. I defer and say that I love having everyone safe at home, and remind Cole that Ben will be back this week. Cole confirms, he has spoken to him already.
Before you go, did you want to see the latest? Cole throws it down like a challenge. Jacob nods and they disappear up to the studio. I hear their voices drop because the children's bedrooms are on that floor.
PJ asks if he can have preacher's slice of pie and I admonish him, placating him with cookies instead. The pie will keep one more day for Jacob. If not, PJ can have it tomorrow. PJ's arms go up in a mock victory celebration.
Cole and Jake are coming back down the stairs. Cole is explaining the new blackest Bridget-painting to Jacob and Jacob is cautiously congratulating him on getting his latest inspiration out, astutely skirting the subject matter entirely. Cole is famous for having huge, painful artistic blocks in which he will stand there holding the brush while the black clouds roil into view all around him and he won't be able to put the brush to the canvas. For months. Those times are dark indeed.
Cole is thrilled that Jacob understands him, and sees him out. I call a goodbye and Jake returns it.
He is gone.
I know the painting will give him nightmares. I'll be having them too. And then maybe I will sleep.
