It's a carpet bag with lavender stitches along the outside of one seam, a painstaking repair job done in the dark with a flickering flashlight and a rusted needle while I waited for him to return from tear-down. The rotation is horrible some weeks and so I am forced to go to the medical station each night and be watched over by the disapproving nurse because no one else is free. She doesn't like him. I think she likes me but she seems too worried to confirm that and instead I am treated to an endless routine of disapproving clicks and checks so I go out and sit in the dark behind the trailer.
She wants proof that I have not been kidnapped, stolen or otherwise forced to be here against my will. She wants proof that I'm eating, growing, menstruating even. I am weighed every week. Just beforehand Lochlan pours sand in my pockets and in my shoes. But she wants proof that he isn't doing anything to me that I don't want him to do.
All of this is carried out through charades. She doesn't speak English and I don't speak Romanian.
Lochlan does, but he isn't here now, is he? I just wait for him to come back and flash me a brief tired smile and she'll launch into a barrage of words at him that sound even stranger than the ones in the songs he sings when he thinks I can't hear him, and he'll answer back just as fast, beginning softly and ending in that stern none-of-your-business voice that he deploys as proof that he can handle this.
This.
This life, with it's broken camper with the makeshift lock on the door, one pillow to share and one thin blanket we hardly even need for the temperature Lochlan runs at. I often think if one of his torches goes out during a routine he could just blow on it it to reignite but he laughs and said it's his Scottish passion that heats him to a slow burn and it's his Bridget that fans the flames. Oh, the charm. It works magnificently when he is standing in front of me defending this life. The one with the stolen tablecloth and the hard-earned toolbox and the warm beer and fifty dollars in hand to procure a week's work of food but we run out on Thursdays usually by mistake and have resorted to borrowing regularly with no intentions to pay it back because if we do then we'll never get ahead.
The zipper on the bag is finicky, catchy and almost broken but not quite. In it always the same things. Something warm to wear. Something good to read. Some music to listen to (then it was the walkman with the expensive batteries. Now it's the expensive phone that can't last half a day on a charge), some photographs of times when I could still smile spontaneously, and a half-assed plan to rule the world on our terms, because there is no me in we, as Lochlan says late at night when we giggle as he pulls the threadbare blanket up just to the stars, calling it our night-fort. It's the safest place in the whole world.
It's where he teaches me those other languages I will instantly forget and where he tells me about all of the places in the world that he will take me someday and where he describes in great detail the food we'll eat on Saturday when we cash out again and head in town. I think I like that part best.
The part I like least is when he reminds me to keep the carpet bag packed and near the door. Just in case. I still listen. It's still there. His stuff is in it too.
