Sunday, 10 May 2009

The Hero of 1968.

So if you ain't lonely then why'd you let me in,
Pulling me from the wreckage?
And you smile-but smiling's just a phase
And I can't get caught in your forever.
I'm lying on the ancient, expensive studio carpeting, the kind you could lob grenades onto and you still might not hear the explosion, the kind that is dull beige and boring as all hell, mostly like the rest of this room with it's smoked reflective glass and polished wood and black equipment and few touches of art or style here and there that try to render it avant-garde and relevant. I'm not sure if relevance has had a place here since Ben was born, but he likes it because it means he's being productive. Actually, he is being produced, but still, potato-potahto.

And I know (because I can feel the vibrations in the floor ever so softly and you wouldn't feel them at all) that he is pacing behind the glass, like a caged lion.

Lochlan is sitting here with his hand on the small of my back and my children are with Satan because he thought he would entertain them with a webcam and his gigantic TV as monitor so they can say hi to his mother back home. She'll love it, they'll love it and I get a break or something, which is nice. But I promised I wouldn't talk about villains today. Only heroes.

This hero wears a big skull ring on his right hand, but never in public-public. In public (squared) he dresses just like all the kids who buy tickets to see the circus show when it comes to their town: jeans, t-shirt, sneakers. Unassuming. Just like you.

Oh, but not you, internet. You assume. That's okay. Open books spark dialogues and questions and curiosity and sometimes nothing is better than to have your interest stoked up and burning along at a lightning clip.

So you explain to me why Lochlan puddle-jumped his way back. Don't you usually? I create drama so that he will return? I cause things to go my way and pull him back into my orbit? I play games with his head and leave him unable to know for sure which place is home?

None of the above.

He loves me. Pure and simple. Or maybe it's desecrated, complicated. Dirty love. Mixed-up, tangled, broken and rusted love that should be tossed but it's kept and treasured and exploited for comfort, for sentimentality.

For sport.

Somewhere behind the glass the inherited hero plays a chord and hatches his plans. Somewhere behind the glass the hero seeks his own comfort in watching us. Somewhere behind the glass is my very own Jekyll and Hyde. A monster masquerading as a man.

At least that is the analysis of the villain. And we all know whose side he's on.

I'm done apologizing for my life. I don't need to answer to you, I only need to answer to them. And they have a strict Don't ask, don't tell policy firmly in place.